Sharing thoughts about Taylor Hicks and concert travels and other musical musings!

Seven Mile Breakdown - Taylor Hicks

Sunday, November 8, 2009

The Traveling Circus Eats to the Beat at Epcot

Epcot – Experimental Prototype Community of Tomorrow – is home of the International Food and Wine Festival which this year ran from September 25 to November 8. In addition to foods and wines from around the world, there are seminar and demonstrations, festival shopping and the famous “Eat to the Beat” concert series. Musical guests included such greats as Richard Marx, Billy Ocean, Sister Hazel, Kool & the Gang, and of course, the Traveling Circus’ favorite artist, Taylor Hicks!

Two nights of the festival, Sunday, November 1 and Monday, November 2, were dedicated to the music of Taylor Hicks. Six shows over two nights with each show about 30 minutes in length. Six songs per show, including Taylor’s famous tagging and dancing! Some old favorites and some new songs to entertain the masses were part of each show’s set list.

And speaking of masses! As I pass the line for the first show on Sunday night, the line stretched for as far as I could see – I heard it went all the way down to Germany! I waited outside the barrier ropes at the back and just hoped I could find a place to park at the back of the America Gardens Theatre that backs up to the World Showcase lagoon opposite the American Adventure Pavilion. In just a few minutes the rope where I was came down and I found a place at the back to park my scooter.

As I scanned the seating area in front me, the benches quickly filled up as fans new and old gathered to see and hear Taylor Hicks perform. One of the things I found great about Epcot and the America Gardens Theatre was the efficiency in clearing the staging area and setting up for the next show. People lined up quickly and once the line started to move, the crowd quickly found seats and others waiting to sit down were able to get in. Each show was probably filled between 75-90% capacities depending on the particular show. And probably the times at which I looked around, which was generally before Taylor took the stage.

Each show was different – as only Taylor Hicks can make them. There were standards at each performance like Taylor’s last single, “Seven Mile Breakdown” and “Nineteen” which is to be released to the Armed Forces Radio on Veteran’s Day. New for me to hear was a Marshall Tucker cover, “Can’t You See”. I enjoyed Taylor’s version of the song. But then, I tend to enjoy whatever song Taylor chooses to sing.

Other songs included “I Live on a Battlefield”, “Use Me” (Bill Withers), Taylor’s own “The Deal”, “What’s Right is Right”, “Rockin’ Pneumonia & the Boogie Woogie Flu” as well as others. The audience seemed appreciative of the music, and the Soul Patrol was all over the place, jockeying for the good seats from which to watch their musical leader. I was just happy to find a place that would let me remain on my scooter and shoot some good pictures which you will find linked below.

Monday afternoon before the Eat to the Beat Concerts, I decided to check out the American Idol Experience at Disney’s Hollywood Studios. Rumor had it that Taylor Hicks might make a showing at the one of the performances. I went to be there for 1:00 but that show was cancelled. A little bird told me to wait because Taylor would be there at 2:00, so I decided to hang around a bit longer. The wait paid off! Taylor came out for about 90 seconds to plug “Grease”, his latest CD, “The Distance” and to encourage those competing at the exhibit.

For the next 30 minutes, we were entertained by two gentlemen from England and a 17-year old from the States. The young man won the 2:00 competition and was to come back to compete at 7:00 pm. The winner of the final show of the day would receive an ‘ultimate golden ticket’ that would entitle the person to jump the line at any future American Idol tryout in the city of their choice.

Each day as I made my way to the America Gardens Theatre and then out of the park, I stopped by the various food vendors to sample such delicacies as Crawfish Etouffee from New Orleans, Rock Shrimp Ceviche from Santiago, Chile, and a Greek Salad from Athens, Greece. It made for expensive dining but a great way to sample foods from around the world. After all, if it weren’t for the festival, Taylor Hicks would not have been at Epcot and neither would the Traveling Circus either.

At the end of each day I thought about the other meaning of Epcot – Every Person Comes Out Tired – as explained by one of the bus drivers. He was right – I was pooped at the end of each day!

To all the Soul Patrol that I met for the first time and to others I had met previously, it was great seeing so many fans there to support Taylor Hicks. I had a lot of fun sitting with a number of you and meeting you by the various food vendors to share a bite. Hopefully, we’ll meet again and enjoy some more blue-eyed soul from our favorite soul man, Mr. Taylor Hicks!


Tuesday, October 13, 2009

With the Traveling Circus, It's Always an Adventure!

For her thirteenth birthday, I promised my older granddaughter a trip to see Taylor Hicks in “Grease” when it came close to Memphis. Birmingham seemed like the logical destination until Taylor added two shows at Workplay. Actually, I had bought tickets for her but when the second show was added, it was decided that her mom (my daughter) should go instead. I would take her somewhere else.

Durham seemed like another logical place, especially she would be on fall break on Monday – we could attend both of the Sunday shows. I knew I would have to work late on Friday plus by Red Hat luncheon was Saturday – not something I wanted to miss. But on Tuesday night, I made the decision we would go to Durham if I could get everything worked out.

I checked my frequent flyer miles – enough for two tickets. Then I checked Ticketmaster to see what sort of seats might be available. Next I had to make sure I could take Monday as a vacation day. Once the vacation was approved, within 30 minutes the plane tickets were secured, hotel & car reservations made and tickets to “Grease” were purchased.

Finally it’s Saturday afternoon and we get to the airport in sufficient time to get through security and down to our gate. The first leg of the flight would take us to Atlanta for a plane change. And a pleasant surprise! As the gate attendant scanned out tickets, new tickets were printed out – we had been upgraded to first class! My granddaughter was elated! Thanks to my elite status, the airline made me look like a ‘can accomplish miracles’ grandmother!

By the time we arrived in Durham and picked up our rental car, it was quite late. And rainy. And pitch black. My first mistake was leaving Madge (my GPS) at home. The second was expecting my granddaughter to be the navigator. We tried to use the Yahoo directions I had printed out, but we kept going in circles and making wrong turns. Finally, we tried my iPhone which has GPS. Nearly 30 miles and one hour later, we were safely at hotel, which was really 16 miles and 20 minutes from the airport (perhaps as the crow flies, but that’s another story)!

Now my granddaughter is not the easiest kid to wake up, but she set the alarm so she could get up and go down stairs to enjoy the free breakfast. No time to wait for me to get ready – we kept in touch my texting. She had a great time making herself a waffle and even brought me juice and bagel.

Once I was ready, we left for another adventure – driving to the Durham Performing Arts Center, or DPAC. According to Yahoo, it should be a 30 minute, 20 mile drive. Forget it – 45 minutes and three re-routings – we made it to the theater! Thank goodness I had given myself at least an hour to get there!

While my granddaughter was getting a pre-show snack, I was talking the security guy. We discussed that the theatre was new and that I was from Memphis. Wrong person to tell that too! More later as to why!

We found our seats, center of the third row! We would see their pupils as well as the color of their eyes! Vince Fontaine started off with the pre-show revue to get the audience ready for the show. The usual dance routines, where the audience was from, birthdays, etc. I tried to get my granddaughter to dance, but she wanted too much of a bribe! And that was in addition to the “Grease” sweatshirts I had purchased for her and her sister!

The matinee was definitely the show to pay close attention to. During the first day of school cafeteria scene, as Patty Simcox is about to make her appearance, Rizzo announced that Patty was getting close because she could smell her coming. I snickered – that was new! In Marty’s bedroom, the radio was working properly and she had to ad-lib a bit until it started working again!

In the second half, with THE ice cream cone in place (I can only imagine what the Teen Angel did when he heard the goof), Sonny calls Frenchy “Sandy”! Then poor Roger is slinging his antenna around when it slips out of his hand and lands near the curtain behind him! He had the “what the heck do I do now” look, although I doubt that’s what he was thinking! He picked it up and the scene continued!

Finally the moment I was waiting for – the cone is opening! Now I’ve seen the show (covering my mouth as I say how many!) a number of times, so I know what to expect and what may get changed up. I was disappointed at the initial response and had to remind myself that North Carolina is home to three other Season 5 top 10 contestants.

But WOW! Frenchy and Taylor went all out during the matinee! As Frenchy did her “I voted for you” and ran her fingers up Taylor Hicks’ chest, she then put her finger on his nose and rubbed it! Taylor seemed to be surprised by that move! Then when they did the ‘hair & sizzle’, Frenchy said “hot diggity dam” when they did the side bump and she tried to pat Taylor’s butt! The audience chuckled!

After Taylor gets back in the cone to finish “Beauty School Dropout”, the audience does give him the applause he was due! Too soon Taylor was gone and the show continued! Taylor came out for the encore and then to sing “Seven Mile Breakdown”. As we all know, Taylor can change up a song at will, and at the matinee, he did just that! I loved what he did – a bit of higher notes at the end!

For any lack of cheering during the show, the audience made up for waiting in line to get a CD signed! It was orderly and moved quickly, in spite of the number of people waiting! I was very pleased to see the crowd. My granddaughter wanted to have her sweatshirt signed and became concerned when the theatre usher said Taylor would only be signing the CD or his merchandise. I kept telling her to lay the shirt down and that Taylor would sign it. He didn’t disappoint – he even signed it to her! While he was doing that and I was trying to catch a quick picture, the security person I had talked to earlier informed Taylor and Clay that I had come all the way from Memphis to see the show! I’m sure I was blushing while Taylor and Clay just smiled! In the end, all that really mattered was that my granddaughter had gotten her shirt signed! Nanee ruled!

We left the theatre to see what was close by for an early dinner, but downtown Durham was pretty much dead except for the Mellow Mushroom, a pizza place across the street. I must confess, it was a great pizza! By the time we finished eating, it was time to go back to the theatre for the evening show.

This time, my granddaughter took her sister’s hoodie to be signed. We found our seats, still center, but eighth row this time. Now after the matinee mishaps, I waited to see what would happen that evening. Nada – everything went off without a hitch!

When Taylor Hicks made his entrance, the audience was much more receptive than the matinee crowd, and it felt like the usual appreciation I had come to feel. Frenchy didn’t rub Taylor’s nose or add the diggity when they did the bump, just “hot damn”! And when Taylor sang “Seven Mile Breakdown” I didn’t notice any of the nuances I had heard earlier.

Again Taylor was signing CDs after the show. With this the final show and a Sunday night, the waiting crowd was smaller, but still a number of people. The hoodie was signed and I got a better picture of Taylor before we left.

By now, the navigator had figured out how the GPS on my phone worked and we were ready to head back to the hotel. This time we made it in record time! Well, record for us but not according to Yahoo time.

Our flight home was scheduled for sunrise (7:05 am) so we had to leave the hotel very early. As we were driving to the airport, we passed the Cheesecake Factory. My granddaughter pointed it out and informed me she had seen it last night. What! She didn’t mention it! That’s where I wanted to take her to dinner! Because she took the name literally, she didn’t mention it! I can’t really blame her – I hadn’t told her I wanted to go (not to mention I had no idea where it was much less that it was on the same street as our hotel!!!!)

Because of the weather, our flight was late leaving. I slept during the wait. My granddaughter read and chatted on the phone with her mother several times. We were finally airborne and on our way home. When I asked her if she’d had a good time and wanted to go somewhere again, she said she let her know when!

By the way, she really enjoyed the show! Both times!

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Wednesday, October 7, 2009

Happy Birthday Taylor

Here's wishing you the best birthday ever, Taylor Hicks! Enjoy your day! Thanks for the wonderful music you have brought to us and for the fun role of Teen Angel in "Grease"!

Birthday Myspace Graphics

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Saturday, October 3, 2009

The Traveling Circus Goes the Distance and Gains New Found Freedom Part 2

The Traveling Circus didn't enough of Taylor Hicks on Friday night at Workplay, so we went back again on Saturday night. Knowing that Friday had been spectacular and that Taylor never does the same show twice, we really didn't know how he could top Saturday night. But he managed!

Saturday nigth was over the top - spectacular - wonderful - energized (and after two "Grease" performances) - better than ever - top of his game - full of surprises - well, you get the idea. So here are the videos from that great evening!


Boogie Woogie Flu with Hey Pokey Way


The Distance

What's Right is Right

The Runaround


The Deal

Once Upon a Lover

Maybe You Should

Battlefield

Nineteen

Woman's Gotta Have It with Ona Watson

Seven Mile Breakdown


New Found Freedom with the UAB Gospel Choir



My Sweet Lord


And now for the Traveling Circus to recuperate before the next adventure at Epcot the first of November! We need it after this week-end! What a glorious week-end it was!

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Monday, September 28, 2009

The Traveling Circus Goes the Distance and Gains New Found Freedom

Perhaps this is more about Taylor Hicks going “The Distance” to gain “New Found Freedom”. Just when I think Taylor has given his best, he pulls out the stops again and leaves me realizing the best is still to come.


I am seldom at a loss for words, but after this week-end in Birmingham at Workplay, I suddenly find ‘the cat has my tongue’ and I’m at loss for words. Both shows were fantastic, awesome, fun and energized. Taylor Hicks was home and the joy he felt showed.

As I said, I’m at a loss for words this time, so I will let the videos tell the story for me. So grab your favorite beverage, sit back and enjoy Taylor Hicks as you’ve never seen him…he has truly gone the distance and in doing so, has gained new found freedom!

I was able to video tape both shows in their entirety. As I get the videos converted over the next several nights, I will be adding them. So keep checking - the best is yet to come!

Pictures - Workplay - Friday Night

Pictures - Workplay - Saturday Night

Boogie Woogie Flu & Hey Pokey Way, Friday, September 25, 2009


I Live on a Battlefield, Friday, September 25, 2009


The Deal, Friday, September 25, 2009


The Runaround, Friday, September 25, 2009


Maybe You Should, Friday, September 25, 2009


Don't Let Me Down, Friday, September 25, 2009


What's Right is Right, Friday, September 25, 2009


Once Upon a Lover of Mine, Friday, September 25, 2009


Nineteen, Friday, September 25, 2009


Dust My Broom with Billy Earl McClellan, Friday, September 25, 2009


The Distance, Friday, September 25, 2009


Gonna Move, Friday, September 25, 2009


Seven Mile Breakdown, Friday, September 25, 2009

My Sweet Lord, Friday, September 25, 2009


And that, folks, ends Friday night's concert at Workplay! Stay tuned - Saturday night's performance will be up before the end of the week-end!

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Saturday, August 22, 2009

The Traveling Circus Feels the Heat in Atlanta


Back in 2006 I made myself a promise that if Taylor Hicks ever made a return stop in Atlanta and was going to be at Smith’s Olde Bar with his guitar and buddies, I was going to be there too! And now, three years later, I was finally able to make good on that promise when Taylor brought his “Grease” Shadow Tour to Atlanta and Smith’s Olde Bar.

For the Smith repeat, Taylor Hicks brought with him John Kulinich (guitar), Jason Parker (bass) and Brian Less (keyboard). Taylor, of course, would be on the guitar, harmonica, tambourine and shaker. While Taylor can almost be a one-man band himself, the other musicians’ added beautiful accompaniment and energy to the fully-Taylor Hicks charged show – acoustic style – just the way Taylor is meant to be enjoyed!

For a late Sunday night show, Smith’s was about half-filled depending on how spread out the audience was. The crowd make up was more women than men (but there were lots of men), and the age group varied from barely 21 to late sixties or older. Several members of the “Grease” cast came after the final Atlanta performance, including Dominic Fortuna who plays Vince Fontaine. Of course, Taylor wasn’t going to start the concert until after “Grease” closed and he had met fans in the lobby after the show, so the concert wouldn’t start until 10:30 or so anyway.

Wearing gorgeous boots, jeans and black short sleeve shirt, Taylor Hicks greeted the cheering and screaming audience with “Atlanta, GA…How are we doin’ on a Sunday night!” With 3 guitars and a keyboard, the show opened with the title song from Taylor’s second album, “The Distance”. There’s just something about that song played acoustically that is chilling and mesmerizing at the same time. To me, this is the best way to perform this song.

After thanking us for coming and letting us know that we were in for a lot of music, including special guests, Taylor sang “I Live on a Battlefield”. The guitars are very strong and at one point I was expecting to see smoke because of the all the rapid strumming that both John and Taylor was doing! Taylor seems to be much more comfortable playing the guitar in acoustic settings – it still amazes me that he doesn’t use a pick!


I Live on a Battlefield - Smith's Olde Bar - RagsQueen

“Written by an old buddy…tongue-in-cheek song about going to somebody’s wedding and running away with the bride”, Taylor Hicks sang “Wedding Day Blues”. Such a fun and lively song, and perfect for some melody variations and harmonica! A sly look at the part about “throwing the groom out of the limo”; a great way to get to ladies to raise the scream level up a notch or two! Even Taylor said it ‘was fun’!




Wedding Day Blues - Smith's Olde Bar - RagsQueen

A pre-Idol song written by Taylor, “The Deal”, is beautiful when played with just the guitars and keyboards. Made me feel like I was back in the days when Taylor played the local bars in Birmingham as well as Smith’s Olde Bar in the early days. The guitars gave a certain twang that adds to the enjoyment of the song, particularly when performed live. Taylor even chided about deal makers and deal breakers at the end, adding a sense of fun to the performance.

The first single off “The Distance”, “What’s Right is Right” was next. Taylor asked to have the volume of the keyboard turned up. Hearing the song as recorded on the album or the video or played with a full band doesn’t really give Taylor’s voice the listening to that it deserves. Played acoustically though, Taylor’s voice is front and center. Beautiful song, and even more beautiful when played this way.

What's Right is Right - Smith's Olde Bar - RagsQueen

Paul McCartney was in Atlanta for a big concert in Piedmont Park, and on Friday night, Taylor Hicks said he ran into “Sir Paul” during the sound check. In honor of that meeting, he threw in “Don’t Let Me Down”. A great song for an acoustic set and Taylor’s voice is perfect for the song. I swear the guitars even sounded like a Mariachi band was in the room. Don’t know if it was John or Taylor that was giving off that sound, but it was a great addition to the song.

From his self-titled album, recorded with a full drum corps led by Taylor Hicks himself, “The Runaround” is a song generally played with a full band, and sometimes even a marching band. Before starting the song, Taylor told a story about Brian Less having to play the bass sounds on his keyboard when the bass player didn’t show up. Brian would respond he could and asked if he was going to be paid twice! The audience loved the story and Brian was grinning ear to ear! The musical intro featured Brian on the keyboards for the acoustic performance of “The Runaround”, and nothing was missing from the song! Actually, the vocals ‘popped’ in this version! Taylor and Brian, together, it just doesn’t get much better than this! Taylor brought the house down with his ending chat…“has anyone ever gotten the runaround? It sucks! That’s why we write the music!”


The Runaround - Smith's Olde Bar - RagsQueen

Taylor Hicks has often said that when he heard “Nineteen” for the first time he had tears in his eyes and that it really touched him. Taylor announced that the song is to be released to the Armed Forces Radio around Veterans Day. A beautiful song, made even more beautiful with less instrumentation, was dedicated to our troops.


Nineteen - Smith's Olde Bar - RagsQueen

If you dream…if you visualize it…it will come true” were Taylor’s opening remarks for “Gonna Move”, a song that Taylor has performed for years, and seems more like his personal mantra because he’s always on the move. No regular address, hotels rooms are his home, and he’s said in interviews that his mail goes to his parents’ home. Before ending the song, Taylor tagged about ‘calling the bar owner about 10 times a week to let him open’.

He continued to talk about calling the bar owner to beg to let him open for someone and finally ending with he was closing the bar tonight! “Cheers, everyone!” Taylor talked about being on one long continuous journey and then about giving him two months with a real estate agent and he’d be ready to get back on the road. I think he may have been tuning his guitar as he continued to talk about the current shadow tour where he could strip down the music and trying it out with less production. And he thanked the “Grease” cast for coming and about them teaching him how to act.

A song that many fans have hoped would be the next single, and one that Taylor himself has said could be the song that establishes his writing skills, “Maybe You Should”, we were told was on hold by a ‘big country singer’. And no, Taylor did not reveal who it might be, although the gender is female. While Taylor was chatty and talkative, he didn’t have loose lips!

“Maybe You Should” is perfect for just a keyboard and a couple of guitars. Actually, the live version is even better than the recorded version, if you can imagine that! Everyone needs to hear that song live at least once so enjoy the attached video to get a flavor of a live performance!


Maybe You Should - Smith's Olde Bar - RagsQueen

A bit of Spanish flair and written with Simon Clime during a visit to Southern France, “Once Upon a Lover of Mine” is a great Latin-calypso style song, perfect for acoustic performances. The opening featured Brian on the keys. Taylor picked up the shaker while John and Jason backed up the vocals with guitars. Even a few ‘trrrrs’ with senorita got the audience into a frenzy of squeals! The higher pitched notes were hit with perfection! I didn’t realize the vocal range that Taylor had to sing with this song, even though I’ve heard it a number of times! WOW, Taylor really does have a wide vocal range!

As the original set was ending, Taylor quipped, “what to do next” and to shouts of love and adoration, responded with a high-pitched, “I love you too!” Also thanked us all for coming and for the support and to let us know that an encore would take place with a few more friends joining him on stage.

The final song, written by George Harrison, “My Sweet Lord” had been the encore song for concerts earlier in the year. Now it seems to be the last song in the main set. As he put it, the song had migrated from George Harrison to Billy Preston to Taylor Hicks. I always enjoyed the original George Harrison version but Taylor’s is more irreverent and fast, perfect for clapping and patting the foot to the beat as well as a bit of chair dancing (at least for me, anyway!)

After a brief intermission, the stage was reset to add Wynn Christian and Quinn Boyland of Spoonful James (who by the way had played earlier in the evening). The first song, Eric Clapton’s “Why Does Love Have to Be So Sad”, obviously a standard for Spoonful James, featured Taylor Hicks on the tambourine. John was featured on the guitar! And Wynn was singing harmony with Taylor. Quite a nice performance of just vocals, guitars and keyboard – I love acoustic Taylor Hicks! (Sadly, my video was in the air with a great view but dingy me forgot to turn it on, so no video. Mea culpa!)

Written by Wynn Christian, “Seven Mile Breakdown” ended the show. Taylor left the guitar playing to everyone else while he picked up the tambourine. I miss that little hiccup when the words ‘might make you loose your mind’ but even without it, it’s a great song, and one I’m sure that having Taylor put on “The Distance” has surely made Wynn very proud!

Seven Mile Breakdown - Smith's Olde Bar - RagsQueen

And so the curtains were closed and what few light were in the bar came up as the crowd began to thin. Some of us sat for a bit to wait for the bar to clear and chat with friends and compare notes. But since I had to fly home and go to work later in the morning (it was after midnight after all), I had to get back to the hotel to get some sleep, as if sleep was possible after a Taylor Hicks concert!

Enjoy the pictures and video! Smith’s Olde Bar with Taylor and friends was a wonderful experience, one I hope you get sometime, and in the meantime, you can enjoy the videos posted!

Pictures from Smith's Olde Bar

ETA: Videos are also on YouTube for those who can't view the Vimeo ones!

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Friday, July 24, 2009

Grease Comes to Birminham, AL


Would you like to have the opportunity to get tickets to see "Grease" in Birmingham before they go on sale to the general public next Friday, July 31? Well, here's your opportunity to get choice seats before then!

Seats are available for the Saturday, September 26 2:00 matinee and the Sunday, September 27 1:00 matinee at the group rate below plus a $3.75 service fee! You save on the price of the ticket as well as the usual Ticketmaster service fees!

Saturday, September 26, 2009, 2:00 matinee
$51.50 - Continental seating rows AA-KK
$42.50 - Orchestra rows A-X
$42.50 - Grand Tier rows AA-QQ
$33.50 - Balcony rows A-W
$24.50 - Balcony rows X-Z

Sunday, September 27, 2009, 1:00 matinee
$57.00 - Continental seating rows AA-KK
$47.00 - Orchestra rows A-X
$47.00 - Grand Tier rows AA-QQ
$37.50 - Balcony rows A-W
$27.00 - Balcony rows X-Z

When you click on the link below, you are taken to Broadway Across America where you will sign in with your special code - soulpatrol. Next you are taken to Ticketmaster to actually purchase the tickets. You may need to create a new account if your regular Ticketmaster account doesn't let you log-in. This special pricing is only for Broadway Across America!

Click here to access Broadway Across America-Birmingham for priority access to the best seats! Remember - the password is: soulpatrol!

See you there!

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